Allen 450 Spezifikationen

Renaissance450Copyright © 1998 Allen Organ CompanyAll Rights ReservedAOC P/N 033-0103 2/98

RENAISSANCE 450 SECTION II7.SWELL ORGAN continued:Swell 16’Swell Sub-octave Coupler. Swell voices speak one octavelower than the pitch indicated on t

RENAISSANCE 450 SECTION II8.SWELL ORGAN SECOND VOICES continued:Mixture IV Four rank mixture, comprised of bright principal tones.Each note played pro

RENAISSANCE 450 SECTION II9.GREAT ORGAN continued:Mixture IV Four rank mixture, a compound stop of principal tones.Four notes in octave and fifth rela

RENAISSANCE 450 SECTION II10.GREAT ORGAN continued:8’ String on Great Enables Floating String Division stops to be played withthe Great keys at the pi

RENAISSANCE 450 SECTION II11.GREAT ORGAN SECOND VOICES continued:4’ Oktav Similar in timbre to 8’ Prinzipal, not as loud and soundsone octave higher.S

RENAISSANCE 450 SECTION II12.CHOIR ORGAN continued:8’ Krummhorn Imitative of a very old instrument Krummhorn (crookedhorn). Audsley describes it to m

RENAISSANCE 450 SECTION II13.CHOIR ORGAN continued:Choir Main OFF To be used in conjunction with the Choir to AntiphonalDrawknob. This drawknob disabl

RENAISSANCE 450 SECTION II14.SOLO ORGAN continued:8’ French Horn Imitative of the orchestral version of the same name.8’ Cor Anglais Imitative of the

RENAISSANCE 450 SECTION II15.FLOATING STRING DIVISION continued:Dulcets II OFF When this drawknob is drawn, the two ranks Dulcetand Dulcet Celéste, wi

RENAISSANCE 450 SECTION II16.GENERAL DRAWKNOBS:All Swells to Swell When this drawknob is drawn, it enables the organist toexpress all voices from one

ALLEN ORGAN COMPANYFor more than fifty years--practically the entire history of electronic organs--theAllen Organ Company has sought to build the fine

RENAISSANCE 450 SECTION II17.EXPRESSION SHOES (PEDALS):There are five expression shoes on the Renaissance 450. The one on the far right isthe Crescen

RENAISSANCE 450 SECTION III18.ARTISTIC REGISTRATIONThis section is intended to aid the organist that is looking for suggestions. By nomeans should re

RENAISSANCE 450 SECTION III19.SUGGESTED SOLO REGISTRATIONS:CHIMES SOLOSwell: (8’) Flûte Céleste II; or 8’ Rohr Bourdon, 8’ Viola, and 8’ Viola Céleste

RENAISSANCE 450 SECTION III20.ENSEMBLE REGISTRATIONS:Ensemble registrations involve groups of stops that are played together, usually, butnot always,

RENAISSANCE 450 SECTION III21.SUGGESTED ENSEMBLE REGISTRATIONS:GREAT MANUAL DIVISION1. 8’ Harmonic Flute, 4’ Flute2. 8’ 2nd Diapason, 4’ Octave3 8’

RENAISSANCE 450 SECTION III22.ENSEMBLE REGISTRATIONS continued:The Pedal ensemble is created in much the same way as the manual ensembles,starting at

RENAISSANCE 450 SECTION IV23.TRANSPOSERVast computer capabilities make it possible to perform the sometimes difficult task oftransposing, while allowi

RENAISSANCE 450 SECTION V24.VIRTUAL ACOUSTICS SETTINGSThe Digital Reverberation System provides the spatial ambiance of various sizes ofreverberant ro

RENAISSANCE 450 SECTION VI25.CARE OF THE ORGANBATTERY BACKUP SYSTEM:The memory for the capture system on your Renaissance Organ is sustained by aLithi

RENAISSANCE 450 SECTION VII26.INSTALLATION, and VOICING,OF THE ORGANINSTALLATIONWherever your Renaissance organ may be situated, careful installation

RENAISSANCE 450iContents I. Description of Stops 1. II. Renaissance 450 Stop List 3.Pedal Organ3.Pedal Organ Second Voices4.Swell Organ5.Swell Org

USA ONLYCAUTIONDo not plug the instrument into any current source other than 110 to 120volts, 50/60 Hertz alternating current (AC). A verified ground

INTERNATIONAL ONLYCAUTIONDo not plug the instrument into any current source other than thatstated by the selling dealer. Proper polarity should be ch

RENAISSANCE 450 SECTION I1.DESCRIPTION OF STOPSPITCH FOOTAGEThe number appearing on each stop along with its name indicates the “pitch” or“register” o

RENAISSANCE 450 SECTION I2.Flute Voices Open:Harmonic FluteKoppleflöteflute mutation stopsFlute Voices Stopped:HolzgedacktBourdonLieblichgedacktRohr

RENAISSANCE 450 SECTION II3.RENAISSANCE 450 STOP LISTFollowing is a discussion of individual stops and how they are generally used. Pleasenote that d

RENAISSANCE 450 SECTION II4.PEDAL ORGAN continued:4’ Clairon A bright 4’ chorus reed. Combines with the 16’Bombarde and 8’ Trompete to form the full

RENAISSANCE 450 SECTION II5.PEDAL ORGAN SECOND VOICES continued:16’ Prinzipal Foundation voice with more high harmonics than theprimary 16’ Diapason P

RENAISSANCE 450 SECTION II6.SWELL ORGAN continued:4’ Travers Flute Imitative of, and louder than the orchestral flute.2-2/3’ Nasard Flute mutation th